Wednesday, January 26, 2011

Free Kates Playground Samples

PROJECTIONS - DAY OF REMEMBRANCE

Monday, January 24, 2011

Inside A Master Combination Lock

Inside The Music - Paolo Sorge Jazz Trio in concert - January 27 THUR

The Music Inside every Thursday at 21
strictly live!


Thursday, January 27

PAUL RISES JAZZ TRIO

Paolo Sorge - guitar
Francesco Cusa - drums
Angelo Cultreri - Hammond organ



This trio was born recently, but it has by three musicians who in the past have had the opportunity to meet other musical adventures in finding a high degree of affinity and harmony.
The repertory, composed of both standards to original compositions of the individual components of the trio, providing pretexts for the collective ritual practice called jazz, a term in this case perhaps a bit 'reductive, but certainly indicative of common roots between the components of the training that will listen.



Paolo Sorge
is a guitarist, composer and improviser have long been known to the audience of contemporary jazz and Europe. For nearly twenty years
conducts research across the music nellambito dimprovvisazione, simultaneously cultivating linteresse for the languages \u200b\u200bof jazz, popular music, limprovvisazione radical, the sound of silent films, the soundscape and soundscape composition, the direction of jazz orchestras, as well as composition for various types of staff, the quartet allorchestra jazz saxophone.
From the beginnings in Sicily, passing through a long parenthesis Roman twelve years, until the recent return to their land himself to rebut, Paolo Sorge has performed and recorded with many musicians from different backgrounds, including:
Alfio Antico, Paolo Fresu, Paolino Dalla Porta, Roberto Spadoni (MJ Urkestra), Mike Abene, Maurizio Giammarco, Gianluigi Trovesi, Sandro Satta, Stefano Maltese, Gianni Gebbia, Michel Godard, Francesco Cusa (Trinkle Trio, Skrunch and other projects), Fabrizio Puglisi, Stefano Zorzanello, Claudio Lugo, Guido Mazzon, Butch Morris (Bologna, Angelica Festival 2006), Ab Baars and Ig Henneman, Keith Tippett, Mathias Rüegg.
Diploma in Composition (Conservatoire of Perugia, 1998) and Jazz (Conservatorio di Latina, 2001), has won two prestigious awards for jazz composition for orchestra (Barga Jazz 1993, Sassari - Writing in Jazz 2004).
Together drummer Francesco Cusa gave birth to the artistic movement and record label Improvvisatore Involuntary \u0026lt;
www.improvvisatoreinvolontario.com >
Over the past ten years performing and recording alongside allattività an intense educational activities of jazz and popular nellambito dellimprovvisazione , working with major public and private institutions (Conservatory S. Cecilia - Rome, Università della Musica srl \u200b\u200b- Rome, Conservatorio S. Giacomantonio - Cosenza, Conservatory "N. Piccinni - Bari, Politecnico "Ars et Scientia" - Vibo Valentia, Masciari Theatre - Catanzaro, CESM - Catania).
currently directs the Department of New Technologies and the language of music and jazz orchestra of the Conservatory "F. Cilea of \u200b\u200bReggio Calabria.


goblet of wine (or beverage of your choice)
concert + € 6.00

booking is recommended

Saturday, January 22, 2011

Does Cocoa Butter Remove Dark Marks

the door is open - Life Goliarda WISDOM - Wednesday 26 hours 19

hours Wednesday, January 26 19:00
presentation of the book
GIOVANNA PROVIDENT
The door is open
LIFE OF WISDOM Goliarda Villaggio Maori Edizioni
speakers STEFANIA MAZZONE (Faculty of Political Science) and
ANNA PAPER (Faculty of Literature and Philosophy)




I am grateful to Joan for Providenti quest'assoluto act of love: to reconstruct the life of a great writer , for daring to come out of what was expected of a lady who writes, was rejected, isolated, dusty outraged by criticism, arrogant and terrified of every female literary empire free and unpredictable, who dares to leave the charges set by fashion.
I hope this time the critics and editors will immediately notice del valore di La porta è aperta, una biografia rigorosa eppure costruita come un romanzo appassionato che comincia molto prima che Goliarda nasca, raccontando come in una saga le vite dei suoi singolari genitori.
Capitolo dopo capitolo Giovanna Providenti intreccia spesso la vita di Goliarda a quella di Modesta, la protagonista di L'arte della gioia, in un gioco di specchi che riflettono due vite singolari, temibili, appassionate che non hanno paura dello scandalo né dell'irregolarità né della crudeltà.
È un lavoro sapiente quello di Giovanna che fa riflettere anche su come dieci, trent'anni fa, malgrado il femminismo, malgrado the apparent freedom, femininity might still be a prison, an exclusion, an invisible web that sometimes seems to still fall on women who are not rules, new conformism in which you try to lock them up.
detailed, rich, documented, telling a difficult character and still unknown, except to the facts now known (the cinema, theater, theft, political commitment, prison, poverty, love ), this biography is able to make a great character: tell us how much the figure of abnormal Goliarda can speak of the rebellion, and that silent pain that many women almost always hide injuries to protect themselves from the world.

(Natalia Aspesi, motivation to Calvino Prize 2009)